Guy Julier y Viviana Narotzky enfocan su objeto de estudio a la sociedad contemporánea influenciada por la transnacionalización y la globalización y en los nuevos paradigmas del diseño y la cultura material de la mecanización y la seriación que marcan al diseño y la historia en el siglo xx.
The new web of Parc de Belloch has been launched, with a whole set of great video interviews about design, Barcelona, urban landscaping and the city. Each interview comes with a downloadable pdf transcript in both the original Spanish and a translated English version.
I’ve posted a link to my own contribution above, and you can access further words of wisdom by the likes of Miguel Mila, Antoni Arola, Beth Gali, Nina Maso or Javier Nieto on Belloch’s site.
The Architectural Foundation COAM in Madrid has organised an exhibition of one-off Verner Panton chairs, reinterpreted by a selection of Spanish designers and artists. The show, 10 Autores + 10 Sillas Panton, will close on October 7 with an auction of the pieces, reworked by Agatha Ruiz de la Prada, Alberto Corazón, Álvarez Sala y Rubio Carvajal, Angel Schlesser, Guillermo Pérez Villalta, Javier Mariscal, Manuel Serrano, Ouka-Leele, Pedro Feduchi, and Tuñón y Mansilla.
C/ Marqués de Villamejor nº 5 – Madrid
Tel. 91 426 45 60 – www.vitra.com
The Design History Foundation launches its teaching programme with a course on Art Deco, which will offer both an international approach to the style and sessions on its local impact.
The 18-hour course will take place between 30.09.09 and 16.12.09, at the Disseny Hub Barcelona, C/ Montcada, 12, 08003 Barcelona. Sessions will be in Catalan.
More information here.
I’ve been following the Steampunk phenomenon with fascination. It’s a stylistical branching out that makes perfect sense to me, bringing as it does the formal exuberance of 19th century excitement at the technological wonders of the industrial revolution, its heavy mechanical seduction, its steam and coaldust manliness, onto the flat, bland and opaque physicality of our own turn of the century electronics: Steampunk is hard at work trying to turn Bill Gates into Isambard Kingdom Brunel.
Until now, Steampunk has been a somewhat tribal affair, developed by cyberpunk geeks intent on beautifying their gear, a labour of love and tinkering. Well, Steampunk is finally crossing over into mainstream consumer electronics – I was wondering when – and with the support of The Long Now Foundation no less… It makes perfect sense. The Ulysse Nardin Chairman hybrid smartphone’s unique selling point? It’s powered by a mechanical thingy that charges its battery through the users’ movements, just like self-winding wristwatches do. And it looks pure Steampunk.
I leave you with a couple of Steampunk beauties, in the hope that I will get a few of you hooked onto the trend.
And of course the most spectacular of them all, Paul St George’s Telectroscope that linked London and New York, the twin capitals of Steam and Punk, in the summer of 2008.
While in London I visited the Mariscal retrospective (see technical details here) and found it wonderful. The energy of Mariscal’s design reverberates through the exhibition, a dizzying display that builds on the very qualities it seeks to showcase.
It’s a fine tribute to Mariscal’s extraordinary creative zest, his enduring playfulness, and the sheer power of a vision that has created a very consistent personal world, both laid-back and vibrant.