The first UK retrospective of Spanish designer and artist Javier Mariscal will open on July 1 at the Design Museum, London. Regarded as one of the world’s most innovative and original designers of our time, Mariscal’s rich and diverse body of work spans kooky cartoon characters to stunning interiors, from furniture to graphic design and corporate identities.
Mariscal’s intense relationship with drawing and illustration is central to his career and is the basis for his designs over the last 30 years. He gave Barcelona its graphic identity as it emerged from the Franco era and in 1992 he introduced the world to Cobi, the official Olympic mascot of the Barcelona games. Sketches, designs, films and photographs will be on display alongside furniture and textiles. Mariscal will also design and paint an elaborate mural for the exterior of the museum showcasing his unique vision and signature design style.
DESIGN MUSEUM, SHAD THAMES, LONDON SE1 2YD
TICKETS: Adults £8.50; Concessions £6.50;
Students £5.00; Under 12s free
OPENING: 10.00 -17.45 Daily. Last Admission: 17.15
PUBLIC INFORMATION T: 020 7940 8790
W: designmuseum.org ADVANCE BOOKING T: 020 7940
A few days ago I went to the presentation of Designpedia.net, a recently launched online encyclopaedia on Spanish Design. Designpedia is an open project based on the Wiki concept and under a Creative Commons license, which will grow thanks to the contribution of its users. Its remit is Spanish graphic and product design, although it welcomes interdisciplinary links across a variety of design fields, and its focus on Spanish design does not imply a strict territorial delimitation.
During the early stages of the project, an editorial committee will ensure the quality and relevance of the content, and it is hoped that as the project gains momentum, it will move closer to functioning as a wiki system that is self-edited and self-curated.
Spanish design has a considerable historical trajectory, a diverse institutional network and an active, energetic professional and cultural context. It desperately needs projects that can consolidate all that, and the focus provided by Designpedia is very timely, so I’m hoping this one will take off. It’s been put together by knowledgeable and enthusiastic people. It also has a great interface, is very user-friendly, and google-friendly. And I’m in it. So what more can I say to convince you? Go have a look, and if you can, contribute.
I haven’t actually done the head of a pin calculations yet, but I can tell you for a fact that you can fit pretty much all of them in your pocket. The global digitization of archives continues apace, some of it backed by corporate or institutional funding, some of it the work of enthusiastic individuals.
Here’s a brief roundup of some online archives of Spanish graphic design that I’ve recently come across.
For the Greenest Office, Buy Vintage. Buy Thrift. Recycle.
With all the hubbub about green products, the point that everyone seems to miss is that the greenest move of all is to buy used stuff. Variously called “vintage,” “thrift,” or “second hand,” its updated name might simply be Cradle-to-Curb-to-Cradle. Stylewise, there doesn’t have to be any trade-offs, as this clever new office redesign by I29, a young architecture firm, proves. All of the pieces were sourced from local flea markets in Amsterdam; they were then given a contemporary, oh-so-Dutch look using environmentally friendly spray paint. The design fits the client—an ad agency called Gummo—pretty well…
OBJECTIFIED, the new documentary by Gary Hustwit will have its official and only screening in Spain, next Thursday 4th of June in Barcelona. I wrote about this film in an earlier post, and I’m really looking forward to seeing it.
From the press release:
OBJECTIFIED is the new feature-length documentary by acclaimed HELVETICA director, Gary Hustwit. The film is about our complex relationship with manufactured objects and, by extension, the people who design them. Smart Design is featured in the film, along with many other top designers and firms such as IDEO, Dieter Rams and Jonathan Ive from Apple. If you are a designer or you have an interest in design, this movie is a must see. Furthermore, this will be a great occasion for the Barcelona design community to get together.
The film has been getting critic’s praise and audience’s applause as it has traveled the world in the last couple of months. You can get a little sneak peek by watching the trailer for the film here.
Don’t miss out on your only chance to attend the Spanish screening of this documentary. You can buy tickets at the door on the day of the screening but limited seats are going fast you can buy them in advance here.
The screening will take place June 4th at Cines Alexandra, Rambla Catalunya 90 at 8pm. After the movie enjoy a talk with the film director, Gary Hustwit, meet Smart Design’s VP of Industrial Design and have a beer compliments of Moritz. There will be also an after-party later that night, to be announced at the screening.
LUIS BARRAGAN (1902-1988) A Sabino and Leather 'Barcelona' Chair, 1959. Estimate $20,000 - $30,000. Christie's Important 20th Century Decorative Art & Design, 2 June 2009 New York, Rockefeller Plaza.
With the month of June comes the yearly round of summer 20th Century design auctions at all the major auction houses. Sotheby’s ‘Important 20th Century Design’ of June 12 is offering lots for a total lower estimate value of $3.7 million – $5.4 at the highest estimate. This kind of money won’t save GM from bankruptcy, but it still is a hell of a lot of cash. Despite the recession, the relatively young 20C and contemporary design market has been holding its own remarkably well, even if its meteoric rise through to 2007 has been somewhat dampened in the current climate.
Christie’s and Phillips de Pury are also holding June auctions, as are Wright and Quittenbaum, both specialist 20C Design auction houses. The latter holds a treat for all of you who are interested in Spanish 20th Century design: Andre Ricard’s rare 1973 lamp for Metalarte (pictured below), which I mentioned in an earlier post, is up for grabs at an estimate of €1200. Catch it if you can!
And if you happen to come across other pieces of Spanish design in the auction catalogues, let me know!
One of the few annoying features of my iPhone is the question it asks every time I want to use its camera: “Camera would like to use your current location. ‘Don’t allow’ / ‘Ok'”. Being a bit of a surveillance paranoid I routinely ‘Don’t allow’, but thanks to the hundreds of thousands of people who do, and mostly, thanks to those who upload their pictures to Flickr and tag them, the researchers at MIT SENSEable City Lab have come up with a fantastic piece of data visualisation. In collaboration with Universitat Pompeu Fabra and the Barcelona Disseny Hub, they have developed Los Ojos del Mundo, with two projects based on pictures taken by both tourists and locals in Barcelona: Spaces of Diversity maps Britons weaving their path in Barcelona; and Spaces of Activity tracks photos from Barcelona with tags related to ‘partying’.
So, what do tourists go for? No surprises there:
Britons who visited Barcelona in Fall 2007 stayed on the beaten paths delimited by the city’s main elements such as Parc Guell and Sagrada Familia, with Passeig de Gracia and Rambla acting as artery. The photos also confirm their pleasure for football (Camp Nou) parties (Forum) and the mediteranean sea (Barceloneta).
And what about partying?
tags related to “partying” in Summer 2007 shows that Barcelona confines its fun to the old town (Ciutat Vella) known for its high density of tourists, the bohemian distric of Gracia and the Forum area and its music festivals.